![]() ![]() Some of my Canon LUTs have more contrast than others for a more creative look. My intent is to not “destroy” the image with too much contrast or saturation like many other LUTs out there do, so consequently, additional contrast or saturation may be needed to your footage to suit your preference. Cameras supported include Arri Alexa, Blackmagic, Canon, DJI, GoPro, Panasonic, RED and Sony. Import the preset file or just drag and drop the LUT to your video to add fantastic color grading. You can use them for your films and TV, social videos, presentations, and more. We are shooting in 4K 25 fps 10bit using the CLog 3 Codec with Cgamut. In many cases, they look great without any other corrections (when your footage is exposed and balanced properly), but I intentionally do not stretch the contrast/saturation very far so as to work in all lighting conditions. This LUTs pack contains 22 Canon C-Log2 LUTs and 22 Rec 709 LUTs. We are producing fahion videos in an very color-controlled environment using arri skypanes for lighting and a C300MK2 with different lenses (all canon). *These LUTs are designed to give you a starting point for color grading. ![]() Included Cinema Gamut LUTs (Clog2 and Clog3):īase, Moody, Neutral, Boost, Indie**, Faithful, Faithful Crush, Vibe**, Vibe Crush** Today is sit down and try to figure out which are the best C log settings to use on your Canon camera so you dont have to. This LUT pack is perfect for any Canon camera that shoots in Canon Cinema Gamut and either records in Clog2 or Clog3 I have read and understood the disclaimer below and wish to download the designated software. I developed this LUT simply because I was not happy with the Canon provided LUTs, namely with how blues and skin tones were mapped as well as contrast, highlight rolloff and shadow detail. LUT (lookup table) for Canon Log Gamma, Canon Log 12 to Rec.709 12 LUT Version 1.1. I will shoot rec709 gamut only from now on with Clog3.A fantastic one-click Rec709 transform LUT for Canon Clog2 and Clog3 using the Canon Cinema Gamut footage. Looking for Canon Log 3 LUTs for your R6 or R5 and other Canon cameras, then these LUTs will not disappoint and give you amazing results These LUTs work wit. Use in any color grading app like DaVinci Resolve, Final Cut. Looks identical to the CST outcome to me. This is our free color transform LUT for Canon footage shot with Technicolor Cinestyle. ![]() Maybe it is just a problem with the CST in Resolve? here is the Cinema Gamut clip with the Canon Lut "CinemaGamut_CanonLog3-to-BT709_WideDR_65_FF_Ver.2.0.cube". So, my insight that the R5 has overly saturated Reds is very much true for Cinema Gamut and 2020 gamut.įor Rec.709 Gamut, the saturation is much more balanced across the 6 chips. None of the V17 Automatic Color Management. Because of this, you can actually get a greater dynamic range on the canon R5 if you shoot Raw video with canon log 3 enabled in camera, and then interpret the raw video as clog 2 in post. I shoot in Clog 2 Cinema Gammet in high-contrast situations. In resolve, just CST to transform to Rec-709. Due to a RED patent, there is some steps that the camera takes before saving the 'RAW' file. Another big plus is it handles LUTs very well. F16, 1/50s, 24fps, 4kHQ All-I, Clog3 gamma. If I record in log and apply in Premiere the Canon LUT 'BT709CanonLog-to-BT709WideDR65FFVer.2.0.cube' than the shadows and highlights are pretty much crushed and cant be recovered with the shadows/highlight sliders in lumetri. I own a x-rite Passport Video, so I thought I should actually pretend to be scientific and see what really works best ![]() I have used the Canon EOS 5D Mark IV with Canon Log, the Canon EOS R, and now the Canon EOS R5, all with Canon Log (C-log for short) in order to have the best quality, and allegedly, endless posibilities of color grading. I have never been quite happy with the reds though, I often had to pull back saturation on them. Decoding C-log on the EOS R5 and Resolve 17. I have an R5 and had defaulted to Cinema Gamut as I assumed it was 'Best'. With special color orientation, this LUTs pack will optimize color schemes within the city. This post asked what Gammut to use for their R6. ![]()
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